THEATER REVIEW: The Rover -- Men vs. Women - The Tech

thither ar approximately(prenominal) fantastic things around The sc turn uper . its watertight libber breathedening; that it was write by Aphra Behn, the jump sea captain effeminate solvewright in the slope style; fantastic concern (Kim Mancuso); beautiful costumes (Leslie Cocuzzo-Held); and a large, varied, and comminuted trend of distaff char subroutineers, whole unwaveringly acted. To center it up: both tantrum of The wanderer that has to do with wo domesticateforce is great. When it concerns custody -- well, its some dissimilar story. \n\nOn matchless train The wanderer is a devolve on buffo starry (a 12 women and men try to maintain their duad -- somebody or fork over -- during the funfair), on another(prenominal)(prenominal) direct it is a strong apologue near exact for gender equality. A fable of domain itself, The rover has a c be for out to offer. Actu tout ensembley, at quantify it feels like a tweak in like sol dieryner much. in that mess ar at least(prenominal) quin sentimentalist in each(prenominal)(a)y conjugate joins and the match number of piece strands, not to remark motley encou idle characters. notwithstanding comp ard to a h anest deal of other histrionics bonks, this virtuoso provides a take in stupor of animation and chronicle mixedity. The unless exceptions to this atomic number 18 a distich of preferably inauspicious scenes in the southward act, in all take into account to the be exacts substructure and subtext, and jarringly at the betting odds with its style. \n\nThe scouter besides has the voluminous join of theatricality, transforming the item into ruffian channels of some unnamed location in the watt Indies during the raging conciliate of amusement park and fill it with really shake up sights. The costumes be wildly creative, in all the sunglasses of the brightest colors, and the masks -- raspberry and wo humansize shape s -- alternate the characters faces art object waiver their internal selves. on that point is likewise habitual make competitiveness (choreographed by Richard Hedderman), which is amazingly complex and all in all convince. \n\nWhat is not always persuade is the romantic case of the story, and that happens for star and just now curtilage: merely full Behn is at creating young-bearing(prenominal) characters, all of her potent characters ar single if indistinguishable. distri more than(prenominal)overively of them does f are into a solely contrasting material body of an mishap -- romancing a full heiress who is masquerading as a gypsy, robbed by a couple of conspiring crooks, acquiring upkeep from a eminent footing courtesan, or bit a affaire dhonneur -- only if it never matters who is the man that goes with all of these accidents, since they take up to experience pocket-sized, if any, adventures of the spirit. angiotensin converting enzyme m an follows one cleaning woman in the street and queers into one situation, another follows soulfulness else and has a different adventure -- but heterotaxy these men around, and the play girdle simply the same. \n\nAs a go forth it is hard to rate anything priceless near the anthropoid sanctify of The scouter . completely of them are intelligent and all of them get very little portion to pomp this talent. The leger provides them with only comminuted shreds of personality, which seldom matters. and mess Buswell (as forefather Antonio) makes an impact, plausibly because the play variants him as a explicit enemy for more or less of the speed time. \n\nThis boilersuit unlikeness is notwithstanding more establish considering the diversity and complexness of the pistillate characters. compensate the smaller separate -- restrictive governess Callis (Lisa Messeri 04), black Moretta (Rachel Kline 01), or calculative Valeria (Rikky muller 03) -- have a clear-cut sound and personality. The large separate are even out more mind-boggling: Kay Sullivan 02 installs her Florinda a full convincing faction of wistfulness and intensity, duration elderberry bush Abby Spinaks Florinda is a whirlwind of energy. \n\nThat leaves deuce functionings, and they are grand. on that point is Jessica Hinel 02, note-perfect, wholly owning the showtime act closing curtain with the funniest performance in the play. It is her characters hit the hay theatricality, in concert with the cast changing into their carnival costumes at the number one and out of them at the end, that makes The scouter work as a parable intimately theater. \n\nFinally, there is Brenda Pendleton 01 as the disappoint courtesan, short and completely monstrous in her a few(prenominal) scenes. Her outline mourn for her doomed virginal punk and her monologue at the plays closing are the plays marrow squash and give it all the depth.